Rockwell Group’s LAB designed the entrance installation to the Venice Architecture Biennale exhibit in the Corderie dell’Arsenale, in collaboration with Reed Kroloff and Casey Jones. This “Hall of Fragments” introduced visitors to the theme of the biennale, disengaging them from the city’s traditional bricks-and-mortar by creating an immersive environment of digital visions and fragments of iconic films. When visitors entered, they were confronted with a glowing hourglass-shape passage of moving imagery created by two giant convex screens onto which geometric distortions of film clips were projected. The fragmented compositions of the films—Wizard of Oz, 2001 A Space Odyssey, and The Fountainhead, among them—grew and evolved in response to the position, movement, and density of visitors, resulting in a different and new environment every time.
Completion Date: 2008
Thespeed, number and direction of visitors walking between the screens choreographthe sound throughout the space and the cascading crystalline fragments oficonic movie clips projected on the screens. Photo Credit: Paul Wesley Griggs @Edit.
Aerial view of the Hall ofFragments. Photo Credit: Paul Wesley Griggs @Edit.
The back of each screen is astructural scaffold that houses the projection and interactive sensingequipment, as well as 34 monitors on each side that are playing continuousloops of films that feed the content of the projections in the passageway. Photo Credit: Paul Wesley Griggs @Edit.
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