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February 19, 2008
"This is weird in a very good way," said Barbara deWilde of the 2002 annual report for the Croatian food-production company Podravka. Bound in damask tablecloth material and wrapped in parchment paper, the report is stuffed with lavish design stunts hiding a cookbook's worth of recipes. "It's got tricks, but they are delightful and not gratuitous," said deWilde. "It has humor and beautiful type, too." Several aspects of the book are interactive in the most analog sense: The financial section is on French-folded, perforated paper, which, when ripped open, discloses a series of recipes—for Christmas cake or shrimp croquettes, for example—set in bold red sans-serif type. A section called "Lunch Time" is printed on silver foil and contains photographs of cooking pots overprinted with bright red hearts (a reference to Podravka's slogan, "a company with a heart"). The design surprise here is an invisible recipe printed in thermoreactive ink, which shows itself only when warmed. Readers are advised in a caption to "cook" the dish by placing a hand, or breathing heavily, on the heat-sensitive organ. Other highlights include the company logo repeated on a page of stickers, and a gatefold portrait of Podravka's executive board dressed in chefs' regalia. The gatefold opens to reveal cooking tips from the top, such as "soup must always be stirred clockwise." Hayman praised the "immaculate production" and Geissbuhler described the multilayered narrative and trickery as "really well thought through." DeWilde concluded: "The idea that you can make a fleeting thing like an annual report become permanent by simply adding recipes is amazing." She added, "I'm going to retire. I love that this is graphic design." Established in 1995 by a pair of design students, Zagreb-based Bruketa & Zinic has grown to a 30-person advertising agency that specializes in creative communications. Last year, it was awarded the title Agency of the Year at the national advertising festival in Croatia. The company's work has been honored by New York's Art Directors Club, Germany's Red Dot Award, Slovenia's New European Advertising Festival, and Russia's Moscow International Advertising Festival. It has been featured in Print, How, Graphis, Communication Arts, and Britain's D&AD Annual. Q+A with Davor Bruketa So how did you get the job? Does the client usually put out such creative materials? What was your budget? Is the completed project close to what you envisioned when you began? And next year...?
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